Monday, 7 February 2011


1. Wildflowers real and metaphorical Pioneers?
2. How can you be a parent of young children and a theatre maker?
3. Branding: Help Me!
4. Where the hell do we begin? The Graduate Dream
5. How to get in the industry as a foreign actor
6. How do we keep theatres and arts centres in Darlington and Barnet open…
7. Dr Theatre: Theatre Arts and the Healing Arts: Possibilities and Stuff to Discuss
8. Singing off key: the beauty of failure
9. Who Will Study the Arts at School now that the English Baccalreureate is success?
10. Motley Theatre Design Course is closing down: what are we going to do about it?
11. Big Plays. Big Casts. Where have they gone?
12. Practical composition
13. How can we make the process of tour-booking better for artists and companies?
14. I’m a producer. Do you have something you want me to produce?
15. International Crisis/ The Whitest Room
16. Making work that’s a bit taboo, a little bit naughty
17. I have a big idea but I don’t feel “big” enough to make it happen…
18. Training directors. Is it possible?
19. How can theatres support artists without dictating to them?
20. How Screwed Are We? Please Can Someone Come And Explain The Funding Cuts?
21. We all have resources – how can we share them? A Resource Sharing Network
22. Surfing or Opera?
23. Theatre and fashion : what can we learn from each other?
24. Can we still find new ways to communicate on stage.
25. Spaces + Places + Funding in The East Midlands and the North
26. How do I overcome the patriarchal blocks to my development/nurture/journey as an artist
27. Performing instructions
28. DEATH …Playing dying… How! Please help. What does death/facing your own death means to you?
29. Remaking and restaging. How to make it as big an adventure the second time around?
30. How Are You?
31. Cut the Arts, Save The Day Centre. How do you defend yourself against this argument?
32. Ok, Lets rant, really rant, rant til we’re blue in the face, red in the gills ‘cos that’s where our creativity o’erspills
33. How can I have an ensemble and make it work over a long period?
34. Crowd funding is here. Resistance is futile.
35. Does Theatre Need Age Badges?
36. Theatre and Games
37. Can Telly help, or would it balls things up even more?
38. What is theatre going to do about closing libraries?
39. Ritual in Theatre: Can Theatre Learn anything from Religion?
40. Such Tweet Sorrow - how can we stop it from ever happening again? (Or, what can we learn from it)
41. Theatre and Astrology
42. A Theatre with Glass Walls: How can we let the world in?
43. Who is going to cut the umbilical cord?
44. “I am young, theatre is not cool enough to go to.” How can we inspire young people to see theatre as cool?
45.Form Filling: have you had enough?
46. We really are all fucked or the death of thinking
47. How do we best nurture and encourage the next generation(s)* of playwrights?
48. What do I do with this theatre company I have lying about from September to July? (What options do new theatre companies have outside of the Fringe?),
49. Site-Specific theatre and theatre in non-standard spaces – Practicalities
50. Artist and organizer over 60- how does it work
51. Is blocking the equivalent of match-fixing? Do we root it out? How?
52. ‘How do you solve a problem like Peterborough’? Ode to Peterborough: Not in the South, not in the North, Not in the East, not in the West. Not in the fucking Midlands
53. How do small organisations get big organisations to play with them?
54. Lullaby for our Dark Time
55. Touring to Bosnia and the Balkans
56. Is there anyone else here from Cardiff?
57. IT’S NOT ALL CHEESE Why do people look down on musical theatre?
58. What does Punk Theatre look like now?
59. How do we reclaim a space in society for art for its own sake?
60. Is it fair to ask people to work for free?
61. Hackney Empire – not just for pantos?
62. Marrying an artist: HOW DO YOU SURVIVE?
63. How can we support the next generation of theatre makers?
64. What is your elephant in the room? & “We’re not talking about what really matters.” Well, come on then.
65. Are correspondence courses that promise to help you become a successful writer any good or are they a waste of time?
66. Theatre and Outer Space
67. Theatre in the public sphere: are we making a good account and could we do more?
68. Calling all the Dreamers
69. The Burning Man Festival: Immersive Theatre for 50,000 people?
70. Audience as Agent - What can theatre learn from video games?
71. I have the projects – as a young producer, how do I make them happen?
72. ‘Our ideas are in everyone’s heads’: performance and destroying capitalism
73. Do you miss your pet? Living or alive? Would you like to talk to me about it?
74. I’m often working alone – what about peer review or peer mentoring?
75. My friend Sally is really fit and brilliant. She would like a boyfriend.
76. Archives and Archivists: Dust and Paper
77. Does theatre have a role in climate change awareness?
78. Science and Art
79. Change: react or create? What do we want to make?
80. Theatre, therapies and religion: can there be a dialogue (If so, how and where?)
81. The kids are alright – Don’t dismiss youth theatre as bad theatre
82. What can we sell apart from tickets?
83. How best to integrate and delineate the roles of writer and director
84. Isn’t the time ripe for Good comedy?
85. Theatre companies can sometimes feel as though they exist in a vacuum, how can we encourage them to work with one another to challenge/build upon their practice?
86. Plan B: You have just lost your funding. What next?
87. How creative can access get in theatre?
88. Artist led performance platforms: What can they be?
89. Tea and Tax returns
90. Can you help me make a movement choir?
91. How can theatre make the world a better place?
92. D&D National Roadshow 2012 and WOSonOS (World Open Space on Open Space)
93. Not just talking about a revolution: showing solidarity with Egypt and Tunisia and artistic responses
94. DO IT WITH STRANGERS! (or, I’ve always depended on the kindness of strangers)
95. I want to get on the international touring circuit. Help!
96. If I find spectacle dull, have I worked in theatre too long?
97. We are a venue! We would like to help support and develop artists. What is it that artists want/need?
98. Deaf theatre – integration and moving forward in the artistic sector
99. How can theatre as a place be more real than the lives we find ourselves living?
100.How to survive success
101. (we accidentally didn’t assign this number!)
102. What can we do with Forum Theatre?
103. Tell Me Something I Don’t Know
104. Sit Com
105. Brainstorm – What does an un-capitalist mode of performance look like?
106. Actors and writers collaborating live; anyone interested in helping me make it happen?
107. Making theatre happen in gig/club environments – any ideas?
108. NON STUDENTS ACTORS UNITE! – How can a drama school reject find work as a performer?
109. Theatre for Development
111. In the dark times, will there be laughing?
112. HOORAY!
113. Continued actor training
114. The great song exchange
115. The Hollywood Fringe
116. Developing New Work
117. Group Interaction, Connection, Presence. What can we perceive of each other, what can we express of ourselves?
118. "SIGNING IN THE DARK TIMES" - can anyone teach me some sign language?
119. Arts Journalism in 2011
120. Artist Resource Network
121. Teach me about the people on the D&D Map.
122. Encouraging Philanthropy or schmoozing the rich
123. What are we going to do to bring thinking back to life">

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